Tabula Rosa ( By Rachel Blau duPlessis)
(Chapter II, Drafts)
Writting
.Smudge,ballpoint,iridesces
behind the.
Oily shadow grains an entry
scrap.
Night
underpainting
confident. An a.
Black lines
dot nylon rope about,
tie scout knots.
What paths inside
other
territory of utterance
hear me
smudge and hear me
whiteness.
. Plum grainy
veins, unfathomable
noises, moues and wrinkle
winkle
Plumb line, pul-
sing, eye to eye, drinks
dusks of light.
One year after, like a punctuation; one month together, and
these times had meaning, particular meaning, were also an
arbitrary path cut through possibly a mistaken hole in the
floor, they thought the radiator was smaller, and there it
is, an unfilled circle ninety years old.
full moon, and hardness My mother I will, she said.
•
Fructifying inundation of Pink swans
alien corn "Utopian" living in the deep
offers groundswell.
Grey crocii pearly
sprout, snowlogged, slimy,
dying consensual.
The plot was so big it
encompassed all
abyss!
statements. Thick black
cover lined pages.
Thus it is
maybe political cynicism with odd
borders gerrymandered.
And, in the space between entropy
and arousal,
Philomel,
or longing for liquid
song.
. word. Blue
(pants, trousers, cover-
alls) Blue, all "There is Mr Ashley, narrating
tempered drop his 'songs' or 'stories' in a
into gentle, sing-song chant--what
the morning bizniz sweet he terms 'vocal inflections
whistles, their hustle low that you might call singing.' "
the-y fl-y one (tows) three.
Stroke in the air, wobble
a tune, wow.
Two red tickets set at an angle--
•
Imbedding some extruding some the interplay between selection,
imbedding, and loss. Some few words, chosen, and why; but are
also chosen from, once the day was awash in pinpricks, a pull in
the back muscle, overlay and no experience. No experience because
all. Say.
Saw. Operations. Addictions . And no shadow and it was
dark within this icy one knows brightness all disappearing all intense
writing what ; does it save it? "diaristic" in impulse, but
unbargained, imponderable. Over written. Written then over written,
over ridden, the selection is one thing, this (the globule, clot) another.
Different plans and different pictures.
uneven picture patterns,
Most poetry something- irregular blocks, a rebus
imagery, structure. trued, held in a rose-pink
border.
Dreaming I'm crying
it's she's crying.
Making her watching her
.All like little novels? make herself
Novels are nothing like this.
The synchronity of seeing that when
this-
Too many subplots it goes along-
bleating I can't keep it in mind if I
chaotic lambs don't connect
on the territory
of utterance repress, it
unfurling,
as well, deep night (as it)
reinvents ab-
straction, blueness, goes along .
as,say,gay
day does (sometimes) sometimes visually
syntax. stated "imperfection"
material "run-
out" added a piece of red
"accidentally" reversed two
patches, inserted an " un-
matching" background slash.
Rachel Blau duPlessis
- ABRAMOWITZ, HAROLD
- ADELL JOAN-ELIES
- ALMEIDA, ALEXIS
- ANGELAKIS, ANDREAS
- ANGELOU MAYA
- ANGHELAKI-ROOKE, KATERINA
- ANTIOHOU, GIANNIS
- APPS, STAN
- ARKADI, STELLA
- ARRIEU-KING, CYNTHIA
- ARSENIOU, ELISAVET
- ASHBERY, JOHN
- BAEV, ANTON
- BEKOU, ATHINA
- BLAINE, JULIEN
- BOUHLAL, SIHAM
- CELAL,
- CELAL, METİN
- CHOULIARAS, YIORGOS
- DALAKOURA, VERONIKI
- DEL REY, LANA
- DICKISON, STEVE
- DIMOS, HELEN
- DJORDJEVIC, GORAN
- DOOLITTLE, HILDA "H.D."
- DOUCEY, BRUNO
- ECK, MATTHEW
- ECONOMOU, GEORGE
- EMINESCU, MIHAI
- EPISKOPOU, MARIA
- FRIES, KENNY
- GARCIA, ANGELA INES
- GERTRUDE STEIN
- GEVIRTZ, SUSAN
- GONZÁLEZ SPAIN, PILAR
- GOVRIN MICHAL
- GRECEANU, ADELA
- GRIMA, ADRIAN
- HADJIDAKI, NATASHA
- HALL, GORDON
- HAQ, KAISER
- HIGGINS, KEVIN
- HRISTOV, IVAN
- img src=anthologio.gif border=0>LODEVE
- INGUANEZ, SIMONE
- ISTVAN, LASZLO
- JONES, LAURYN
- KARRA, AMARYLLIS ELENI
- KATTAN, ROLANDO
- KHAN, MONEEBA
- ...Δείτε περισσότερα